STORIES, CREDITS & previews
FULL DOWNLOAD AVAILABLE HERE
CREDITS
All songs written by Ty Hager except #26 & 27, written by Ty Hager and Kevin Abernathy and #48, written by Ty Hager and Jim Blodgett.
PRODUCED BY:
Ty Hager, Steve Goodie, Jay Hudson, Sam Gray, Scott Carter & Chris Jackson, and J.D. Madrid (see song details).
FEATURING:
Steve Goodie, Scott Carter, Chris Jackson, Bill Tennyson, Rob Lifford, J Griffis Smith, Bob Sweet, Keith Zebroski, Ron Sherer, Dave Hassell, Jeff Anderson, Jay Hudson, Eric Teplitz, Carco Clave, Johnny Neel, Fats Kaplan, Dustin Welch, Jelly Roll Johnson, J.D. Madrid, Arnie Reed, J.R. Russell, Chip Woody, Virginia Crowe.
HONORABLE MENTION: Phil Kurnit, president, Winthrop Records.
PRODUCED BY:
Ty Hager, Steve Goodie, Jay Hudson, Sam Gray, Scott Carter & Chris Jackson, and J.D. Madrid (see song details).
FEATURING:
Steve Goodie, Scott Carter, Chris Jackson, Bill Tennyson, Rob Lifford, J Griffis Smith, Bob Sweet, Keith Zebroski, Ron Sherer, Dave Hassell, Jeff Anderson, Jay Hudson, Eric Teplitz, Carco Clave, Johnny Neel, Fats Kaplan, Dustin Welch, Jelly Roll Johnson, J.D. Madrid, Arnie Reed, J.R. Russell, Chip Woody, Virginia Crowe.
HONORABLE MENTION: Phil Kurnit, president, Winthrop Records.
STORIES, & PREVIEWS
Full Lyrics PDF HERE
Full Lyrics PDF HERE
1. CAT DREAMS
(1987) - I wrote this at WCOR in Lebanon, TN. Recorded by Steve Goodie at his Nashville studio in 1992. He played all the instruments. This was the first song I played at my first Sunday night writers show at the Bluebird Cafe in Nashville in 1994. And look at me now! This was on my very first EP, "A Fairly Decent Tape, and It's Only Five Bucks," then on 2003's "Funny Ha Ha, Funny Strange."
(1987) - I wrote this at WCOR in Lebanon, TN. Recorded by Steve Goodie at his Nashville studio in 1992. He played all the instruments. This was the first song I played at my first Sunday night writers show at the Bluebird Cafe in Nashville in 1994. And look at me now! This was on my very first EP, "A Fairly Decent Tape, and It's Only Five Bucks," then on 2003's "Funny Ha Ha, Funny Strange."
2. HIT BY A TRAIN
(1989) - also written at WCOR, sittin' in the lobby. Recorded in Austin TX in 2002, at Jay Hudson's studio. Rob Lifford on mandolin, J. Griffis Smith on dobro, Bob Sweet on bass, Keith Zebroski on drums. Rob and Keith (and maybe Bob) sang harmony. Keith's been playing drums for Miranda Lambert for over a decade now, and says he wouldn't have got that gig if not for me. Which is cool.
(1989) - also written at WCOR, sittin' in the lobby. Recorded in Austin TX in 2002, at Jay Hudson's studio. Rob Lifford on mandolin, J. Griffis Smith on dobro, Bob Sweet on bass, Keith Zebroski on drums. Rob and Keith (and maybe Bob) sang harmony. Keith's been playing drums for Miranda Lambert for over a decade now, and says he wouldn't have got that gig if not for me. Which is cool.
3. LIKE A DOG
(1990) - recorded by Steve Goodie at his Nashville studio in 1995. Steve plays bass and drums, Eric Teplitz plays guitar, Carco Clave plays banjo. I think they all sang harmony. Might-a just been Eric.
(1990) - recorded by Steve Goodie at his Nashville studio in 1995. Steve plays bass and drums, Eric Teplitz plays guitar, Carco Clave plays banjo. I think they all sang harmony. Might-a just been Eric.
4. RENEE LE CLICHE
(1991) - recorded by Steve Goodie at his Los Angeles studio in 2004, a few months after my third rehab failed. My first semi-bilingual tune! (out of 2)
(1991) - recorded by Steve Goodie at his Los Angeles studio in 2004, a few months after my third rehab failed. My first semi-bilingual tune! (out of 2)
5. SHITTY LI'L LOVE SONG
(1991) - written at the kitchen table in Murfreesboro TN. I was drinking and half-watching my baby girls Rachel and Liana. It's been recorded a couple of times, and me and the CowTippers have played it at almost every show we've ever played. This version was on 2006's "Songs About Life and Girls (but mostly girls)," produced in Nashville by Steve Goodie, who also played bass. With Dustin Welch on banjo, Bill Tennyson on guitar, Ron Sherer on steel, Dave Hassell on drums. I don't know who all sang harmonies - I think Steve and Bill at least.
(1991) - written at the kitchen table in Murfreesboro TN. I was drinking and half-watching my baby girls Rachel and Liana. It's been recorded a couple of times, and me and the CowTippers have played it at almost every show we've ever played. This version was on 2006's "Songs About Life and Girls (but mostly girls)," produced in Nashville by Steve Goodie, who also played bass. With Dustin Welch on banjo, Bill Tennyson on guitar, Ron Sherer on steel, Dave Hassell on drums. I don't know who all sang harmonies - I think Steve and Bill at least.
6. EVIL CLOWNS FROM OUTER SPACE
(1995) - this one's out of order, but I'd already sent the audio to CD Baby, so f--k it! I wrote it about Shelley, who was my girlfriend at the time. She wasn't as crazy as me, but not for lack of trying. We recorded it at that '95 session at Steve Goodie's Nashville studio (see #3), with the same players.
(1995) - this one's out of order, but I'd already sent the audio to CD Baby, so f--k it! I wrote it about Shelley, who was my girlfriend at the time. She wasn't as crazy as me, but not for lack of trying. We recorded it at that '95 session at Steve Goodie's Nashville studio (see #3), with the same players.
7. FUGLY
(1992) - written in Murfreesboro, at the same kitchen table as #5. I wasn't watching my daughters though, 'cause my wife had taken 'em with her when she left me. I played this one at "the Boro" the same night I wrote it. That's only happened a couple of times. This one was recorded with the CowTippers (Scott Carter on guitar, Chris Jackson on bass, Jeff Anderson on drums, Scott and Chris with their trademark harmonies) at their studio M'boro in 2000. We always play this one too! It was the last cut on the Winthrop Records' 2003 release "Funny Ha Ha, Funny Strange."
(1992) - written in Murfreesboro, at the same kitchen table as #5. I wasn't watching my daughters though, 'cause my wife had taken 'em with her when she left me. I played this one at "the Boro" the same night I wrote it. That's only happened a couple of times. This one was recorded with the CowTippers (Scott Carter on guitar, Chris Jackson on bass, Jeff Anderson on drums, Scott and Chris with their trademark harmonies) at their studio M'boro in 2000. We always play this one too! It was the last cut on the Winthrop Records' 2003 release "Funny Ha Ha, Funny Strange."
8. HEY KEITH
(1992) - Keith Partridge actually DID make me wanna be a rock star. Recorded at that '95 session (#3, #6). I'd been playing this for a couple of years when my buddies Chris and Dave Smith suggested the tag line.
(1992) - Keith Partridge actually DID make me wanna be a rock star. Recorded at that '95 session (#3, #6). I'd been playing this for a couple of years when my buddies Chris and Dave Smith suggested the tag line.
9. WHAT IF JOHN PRINE WAS JESUS
(1992) - recorded at Steve Goodie's studio about the same time as "Cat Dreams." He played everything on this one too, then stuck a tape of it in John Prine's mailbox. Steve saw John at the airport a couple of years later and asked him about it. John said, "Yeah, I heard that, I liked that." I used that quote on my bio for years afterwards. I should use it now. Revisiting this song 26 years later, I think the whole last part is just stupid as shit...but what're ya gonna do?
(1992) - recorded at Steve Goodie's studio about the same time as "Cat Dreams." He played everything on this one too, then stuck a tape of it in John Prine's mailbox. Steve saw John at the airport a couple of years later and asked him about it. John said, "Yeah, I heard that, I liked that." I used that quote on my bio for years afterwards. I should use it now. Revisiting this song 26 years later, I think the whole last part is just stupid as shit...but what're ya gonna do?
10. (Wish I had a) BUZZ
(1993) - written at the old farmhouse outside of M'boro, where the CowTippers were formed. A damned house full of musicians, and nobody had any pot. Me an' the Tippers have opened with this song from the early days, but this was recorded at the 2005 session for "Songs About Life" (see #5).
(1993) - written at the old farmhouse outside of M'boro, where the CowTippers were formed. A damned house full of musicians, and nobody had any pot. Me an' the Tippers have opened with this song from the early days, but this was recorded at the 2005 session for "Songs About Life" (see #5).
11. CAKE
(1993) - this one's pretty popular at the CowTippers' shows as well. I don't recall writing it, but am sure I did. Recorded live in 2017 at the Bluebird with the Tippers (still Scott Carter and Chris Jackson, but now with Steve Goodie on drums). Karly Driftwood's putting this on her new CD, "Too Mean to Die." That's cool.
(1993) - this one's pretty popular at the CowTippers' shows as well. I don't recall writing it, but am sure I did. Recorded live in 2017 at the Bluebird with the Tippers (still Scott Carter and Chris Jackson, but now with Steve Goodie on drums). Karly Driftwood's putting this on her new CD, "Too Mean to Die." That's cool.
12. HAL THE LECHER
(1993) - I wrote this one in Tulsa, where I stayed between being homeless in Austin and homeless in Nashville. This one's pervy as hell, and I apologize. In my defense, I've removed the word "teenage" when we play it live now. Recorded in 2004 at Steve Goodie's studio, it was on "A Fairly Decent Tape, and It's Only Five Bucks."
(1993) - I wrote this one in Tulsa, where I stayed between being homeless in Austin and homeless in Nashville. This one's pervy as hell, and I apologize. In my defense, I've removed the word "teenage" when we play it live now. Recorded in 2004 at Steve Goodie's studio, it was on "A Fairly Decent Tape, and It's Only Five Bucks."
13. HER SIDE/HIS SIDE
(1993) - wrote this one drunk one mornin', leanin' against a mini van at a songwriters' retreat in east Tennessee. Don't know why I recall that so clearly. Recorded at Steve Goodie's Nashville studio, with Steve playing everything except the acoustic guitar. It was on "Funny Ha Ha."
(1993) - wrote this one drunk one mornin', leanin' against a mini van at a songwriters' retreat in east Tennessee. Don't know why I recall that so clearly. Recorded at Steve Goodie's Nashville studio, with Steve playing everything except the acoustic guitar. It was on "Funny Ha Ha."
14. NOT QUITE UNREQUITED LOVE
(1993) - I have no recollection of writing this, but it was recorded at the 2004 LA session at Steve's.
(1993) - I have no recollection of writing this, but it was recorded at the 2004 LA session at Steve's.
15. PAIN
(1993) - written in Nashville, shortly after I was served my divorce papers, and not long before I hitchhiked to Austin the first time. I recall it was the first song that REALLY made me feel like a songwriter. It's always killed. It was on "A Fairly Decent Tape" as an acoustic demo, then recorded at that '95 session (#3, #6), and was released on "Funny Ha Ha."
(1993) - written in Nashville, shortly after I was served my divorce papers, and not long before I hitchhiked to Austin the first time. I recall it was the first song that REALLY made me feel like a songwriter. It's always killed. It was on "A Fairly Decent Tape" as an acoustic demo, then recorded at that '95 session (#3, #6), and was released on "Funny Ha Ha."
16. REFRIGERATOR MAGNET
(1993) - this was also a demo on "A Fairly Decent Tape," then recorded in '95 with those others. (see #15). I wrote it in my little room at the farm, during the time when those "Abs of Steel" videos were so damned popular.
(1993) - this was also a demo on "A Fairly Decent Tape," then recorded in '95 with those others. (see #15). I wrote it in my little room at the farm, during the time when those "Abs of Steel" videos were so damned popular.
17. I PICTURE YOU
(1994) - wrote this one about a girl I was enamored with at a J.C. Penney telephone job I only stayed at a week. Recorded at the 2004 LA session by Steve Goodie. Honestly, I think I played the damned thing too fast, but I really like the lyrics, and it's my record. (Insert smiley-face thingy).
(1994) - wrote this one about a girl I was enamored with at a J.C. Penney telephone job I only stayed at a week. Recorded at the 2004 LA session by Steve Goodie. Honestly, I think I played the damned thing too fast, but I really like the lyrics, and it's my record. (Insert smiley-face thingy).
18. NEVER NOT
(1994) - my sextuple-negative song, written at Chris Smith's apartment in Nashville, recorded at the '95 session, then re-recorded in 2005 for "Songs About Life."
(1994) - my sextuple-negative song, written at Chris Smith's apartment in Nashville, recorded at the '95 session, then re-recorded in 2005 for "Songs About Life."
19. ONE PILLOW
(1994) - total love song, not a hint of funny anywhere in this one. Written at Chris' apartment, for Shelley, recorded in LA at the '04 session.
(1994) - total love song, not a hint of funny anywhere in this one. Written at Chris' apartment, for Shelley, recorded in LA at the '04 session.
20. PROFOUND
(1994) - remember what I said about the last one? 20. Ditto. Totally ditto.
(1994) - remember what I said about the last one? 20. Ditto. Totally ditto.
21. 17 TO 33
(1996) - I bought a harmonica, then wrote this song. I felt very Neil Young-ish. Wrote another harmonica song in 2001. Thus far, that's about it with the harp. Recorded this one at Steve’s studio in LA in '04.
(1996) - I bought a harmonica, then wrote this song. I felt very Neil Young-ish. Wrote another harmonica song in 2001. Thus far, that's about it with the harp. Recorded this one at Steve’s studio in LA in '04.
22. ALIBI
(1996) - written shortly after that last one, in a little room I rented across the street from Belmont University in Nashville. Around that time I got that squirrel high, but that's another story (it's in the novel). Recorded at my apartment in downtown Nashville a couple of years later by J.D. Madrid, who plays lead and sings back-up. This one's damned near a novella.
(1996) - written shortly after that last one, in a little room I rented across the street from Belmont University in Nashville. Around that time I got that squirrel high, but that's another story (it's in the novel). Recorded at my apartment in downtown Nashville a couple of years later by J.D. Madrid, who plays lead and sings back-up. This one's damned near a novella.
23. FOXHOLE
(1996) - this one's dark, with just a hint of humor. Nobody seems to quite know WHERE the hell it was recorded - I think it might-a been with J.D. Madrid. I like this one just fine.
(1996) - this one's dark, with just a hint of humor. Nobody seems to quite know WHERE the hell it was recorded - I think it might-a been with J.D. Madrid. I like this one just fine.
24. FREUDIAN SLIP
(1996) - recorded in Louisville KY at Sam Gray's studio, with the CowTippers (Chris Jackson, Scott Carter, Jeff Anderson). We recorded four songs I think, but I was so drunk this was the only keeper.
(1996) - recorded in Louisville KY at Sam Gray's studio, with the CowTippers (Chris Jackson, Scott Carter, Jeff Anderson). We recorded four songs I think, but I was so drunk this was the only keeper.
25. I'LL REMEMBER
(1996) - written in my little high-rise apartment in downtown Nashville. Remember beign impressed with myself for usin' more than three chords. Recorded in 2002 in Austin (see #2), and released on "Funny Ha Ha."
(1996) - written in my little high-rise apartment in downtown Nashville. Remember beign impressed with myself for usin' more than three chords. Recorded in 2002 in Austin (see #2), and released on "Funny Ha Ha."
26. THE RING LINE
(1998) - first co-write of the collection (obviously, I don't co-write much). This was co-written with my good buddy Kevin Abernathy, who put it on TWO of his CDs, including 2012's highly-acclaimed "Some Stories." I recorded this version at the '04 LA session with Steve Goodie.
(1998) - first co-write of the collection (obviously, I don't co-write much). This was co-written with my good buddy Kevin Abernathy, who put it on TWO of his CDs, including 2012's highly-acclaimed "Some Stories." I recorded this version at the '04 LA session with Steve Goodie.
27. TEAR-SHAPED BEER STAIN
(1998) - also co-written with Kevin Abernathy. Recorded at the '05 session for "Songs About Life," produced by Steve Goodie, with Johnny Neel (the Allman Brothers) on keyboards and Fats Kaplan on fiddle.
(1998) - also co-written with Kevin Abernathy. Recorded at the '05 session for "Songs About Life," produced by Steve Goodie, with Johnny Neel (the Allman Brothers) on keyboards and Fats Kaplan on fiddle.
28. ANOTHER OTHER MAN
(1999) - I wrote this one in about half an hour, the first of three songs on here inspired by probably my only soul mate (she got away after less than a year, and now she's gone). We put it on "Songs About Life." Johnny Neel tearin' up the keyboards, Jelly Roll Johnson playing harmonica.
(1999) - I wrote this one in about half an hour, the first of three songs on here inspired by probably my only soul mate (she got away after less than a year, and now she's gone). We put it on "Songs About Life." Johnny Neel tearin' up the keyboards, Jelly Roll Johnson playing harmonica.
29. ON MORAL GROUNDS
(1999) - recorded by J.D. Madrid, who also played lead, bass, and sang harmonies.
(1999) - recorded by J.D. Madrid, who also played lead, bass, and sang harmonies.
30. RED PANTIES
(1999) - actually, the first one I wrote for the aforementioned soul mate. I went to a "Dancin' in the District" show on the river in downtown Nashville, got drunk, brought her home. The next morning all I remembered was that she had red panties. Fortunately, she'd left her phone number. Recorded at the '05 "Songs About Life" sessions, this one's got Johnny Neel and Jelly Roll Johnson on it.
(1999) - actually, the first one I wrote for the aforementioned soul mate. I went to a "Dancin' in the District" show on the river in downtown Nashville, got drunk, brought her home. The next morning all I remembered was that she had red panties. Fortunately, she'd left her phone number. Recorded at the '05 "Songs About Life" sessions, this one's got Johnny Neel and Jelly Roll Johnson on it.
31. TENNESSEE VALLEY GIRL
(1999) - after me an' the "Red Panties" girl broke up, I fell in love with a 17-year old. Because I suck. Got quite a few songs out of it, though, and no laws even came CLOSE to being broken. 'Cept in my mind. On "Songs About Life," with Virginia Crowe doing a wonderful Valley Girl.
(1999) - after me an' the "Red Panties" girl broke up, I fell in love with a 17-year old. Because I suck. Got quite a few songs out of it, though, and no laws even came CLOSE to being broken. 'Cept in my mind. On "Songs About Life," with Virginia Crowe doing a wonderful Valley Girl.
32. OUR BOY AND BUBBA
(2000) - my biggest "hit," which ain't sayin' a lot. This one's on BOTH Winthrop Records releases, but I'm using the one me and the 'Tippers recorded just a few months after I wrote it.
(2000) - my biggest "hit," which ain't sayin' a lot. This one's on BOTH Winthrop Records releases, but I'm using the one me and the 'Tippers recorded just a few months after I wrote it.
33. LIKE THE GIRL
(2000) - I lived with this girl for nine days. She was a bit masculine (but not in a "Crying Game" kinda way). Recorded this with J.D. Madrid playin' bass and guitar, and with my pal Arnie Reed doin' some killer keyboards.
(2000) - I lived with this girl for nine days. She was a bit masculine (but not in a "Crying Game" kinda way). Recorded this with J.D. Madrid playin' bass and guitar, and with my pal Arnie Reed doin' some killer keyboards.
34. LITTLE ANGELS
(2000) - written on the occasion of the birth of Kevin and Christine Abernathy's first child, Roxanne. It made me think of my own girls, whom I never saw, and still rarely see. I can't listen to this one without crying. Just simply not funny at ALL! Recorded at the '04 LA session with Steve Goodie.
(2000) - written on the occasion of the birth of Kevin and Christine Abernathy's first child, Roxanne. It made me think of my own girls, whom I never saw, and still rarely see. I can't listen to this one without crying. Just simply not funny at ALL! Recorded at the '04 LA session with Steve Goodie.
35. SPEECHLESS
(2000) - one of my best, I think. Written for the too-young unrequited love mentioned earlier. I thought this too serious for either of my label releases, so I stuck it in my opera. Recorded this one in M'boro, at Scott Carter and Chris Jackson's studio.
(2000) - one of my best, I think. Written for the too-young unrequited love mentioned earlier. I thought this too serious for either of my label releases, so I stuck it in my opera. Recorded this one in M'boro, at Scott Carter and Chris Jackson's studio.
36. WHEN I'M BROKE
(2000) - recorded in the same session as the last one. Also inspired by the jail-bait, but in a more pervy way. My apologies.
(2000) - recorded in the same session as the last one. Also inspired by the jail-bait, but in a more pervy way. My apologies.
37. AVAILABLE
(2001) - the first song I wrote after moving back to Austin, still pining over the girl. Recorded the next year at Jay Hudson's Austin studio with Rob Lifford and Bob Sweet and J Griffis Smith and Keith Zebroski. Released on "Funny Ha Ha."
(2001) - the first song I wrote after moving back to Austin, still pining over the girl. Recorded the next year at Jay Hudson's Austin studio with Rob Lifford and Bob Sweet and J Griffis Smith and Keith Zebroski. Released on "Funny Ha Ha."
38. COUNTRY HAIKU
(2001) - one of only five songs on this collection written in Oklahoma. This is one of my faves, because the entire song is actually in haiku form. Recorded in Austin at the Jay Hudson session. Also inspired by....
(2001) - one of only five songs on this collection written in Oklahoma. This is one of my faves, because the entire song is actually in haiku form. Recorded in Austin at the Jay Hudson session. Also inspired by....
39. IF THINGS WERE DIFFERENT
(2001) - besides the oft-aforementionede heartbreak, another reason I left Nashville for Austin in '01 was my disgust with country music. I worked at a sandwich joint by Music Row, outside of which was a huge billboard for Billy Gilman's album. I thought he epitomized everything that was wrong with the industry. This was also recorded at the Jay Hudson session and released on "Funny Ha Ha."
(2001) - besides the oft-aforementionede heartbreak, another reason I left Nashville for Austin in '01 was my disgust with country music. I worked at a sandwich joint by Music Row, outside of which was a huge billboard for Billy Gilman's album. I thought he epitomized everything that was wrong with the industry. This was also recorded at the Jay Hudson session and released on "Funny Ha Ha."
40. I'M IN TEXAS
(2001) - written on Thanksgiving day in Austin, shortly after I'd bought another harmonica. Recorded at the Jay Hudson session, released on "Funny Ha Ha."
(2001) - written on Thanksgiving day in Austin, shortly after I'd bought another harmonica. Recorded at the Jay Hudson session, released on "Funny Ha Ha."
41. GOOD LOVE GONE BAD
(2001) - written in Austin, recorded at the '04 LA session with Steve. I love the "launchin' pad" line. Written about the soul mate who got away.
(2001) - written in Austin, recorded at the '04 LA session with Steve. I love the "launchin' pad" line. Written about the soul mate who got away.
42. SEVEN SHALLOW GRAVES
(2002) - this one ain't right. And no, I've never dismembered a cheating ex, nor have I ever really WANTED to. I did consider maybe hirin' somebody...but that was later. Written in Austin, recorded in Nashville in '05 for "Songs About Life."
(2002) - this one ain't right. And no, I've never dismembered a cheating ex, nor have I ever really WANTED to. I did consider maybe hirin' somebody...but that was later. Written in Austin, recorded in Nashville in '05 for "Songs About Life."
43. THE WONDER
(2002) - written in Austin, recorded at the '04 LA session.
(2002) - written in Austin, recorded at the '04 LA session.
44. NO HABLA SPANISH LOVE SONG
(2003) - written in Austin, as close to a true story as anything on here. Except I didn't get the girl. I believe one of the very last tunes I wrote in my favorite city in the world. Recorded in Nashville for "Songs About Life."
(2003) - written in Austin, as close to a true story as anything on here. Except I didn't get the girl. I believe one of the very last tunes I wrote in my favorite city in the world. Recorded in Nashville for "Songs About Life."
45. CARNIVAL RIDE
(2004) - I went back to Tulsa for a spell after my third rehab failed. Wrote a few songs. Recorded this in Nashville for "Songs About Life."
(2004) - I went back to Tulsa for a spell after my third rehab failed. Wrote a few songs. Recorded this in Nashville for "Songs About Life."
47. SIGN LANGUAGE
(2005) - one of the first songs I wrote when I came back to Nashville for another three years. On "Songs About Life," with Johnny Neel doin' some honkey-tonk piano.
(2005) - one of the first songs I wrote when I came back to Nashville for another three years. On "Songs About Life," with Johnny Neel doin' some honkey-tonk piano.
48. SEAL PUP
(2007) - written in Nashville with Jim Blodgett, this was on "Let's Get Good 'n Heimered" by "the Wizenheimers," a project me and Steve Goodie and James Bass - then J.R. Russell - did. Recorded in Nashville.
(2007) - written in Nashville with Jim Blodgett, this was on "Let's Get Good 'n Heimered" by "the Wizenheimers," a project me and Steve Goodie and James Bass - then J.R. Russell - did. Recorded in Nashville.
49. RAINBOWS
(2014) - written in Dewey, Oklahoma, recorded last year (2017) live at the Bluebird, with the CowTippers.
(2014) - written in Dewey, Oklahoma, recorded last year (2017) live at the Bluebird, with the CowTippers.
50. OH, KAY
(2015) - written after my girlfriend of three years cheated on me and I kicked her out. It was two days after Christmas that I wrote and recorded this. A few months later, I was back in Nashville. And here I'll stay. I think.
(2015) - written after my girlfriend of three years cheated on me and I kicked her out. It was two days after Christmas that I wrote and recorded this. A few months later, I was back in Nashville. And here I'll stay. I think.